Angelic Pictures announces:
NEW CATEGORY OPENS: Interactive Entertainment Partnership Available
PARTNERSHIP STATUS UPDATE:
A revolutionary opportunity has emerged in interactive entertainment. The streaming wars are evolving beyond traditional content into immersive, interactive experiences that allow audiences to shape storylines in real-time.
THE QUESTION:
What happens when cutting-edge interactive entertainment meets Hollywood’s most anticipated Sci-Fi franchise?
THE ANSWER:
The partnership opportunity that defines the next decade of entertainment.
HOLLYWOOD’S GAMING REVOLUTION IS ALREADY HERE:
READY PLAYER ONE (2018) — $608 Million Worldwide
Spielberg didn’t just make a movie about gaming. He proved that audiences crave being inside the game. The OASIS became the blueprint for immersive entertainment experiences.
TRON: LEGACY (2010) — $410 Million Worldwide
Disney’s billion-dollar bet that audiences want to enter digital realms. The Grid isn’t just a setting—it’s a destination audiences desperately want to visit. With ARES coming in October 2025, the digital revolution continues.
FREE GUY (2021) — $331 Million Worldwide
Ryan Reynolds proved that even NPCs can become heroes when gaming meets storytelling. Released during a pandemic, it still crushed expectations because audiences don’t just want to watch—they want to play.
WARCRAFT (2016) — $439 Million – Global Phenomenon
A decade-old game franchise transformed into the highest-grossing video game movie of its time by giving fans what they craved: their world, their rules, their story brought to life.
JUMANJI Franchise — $2 Billion+
Welcome to the Jungle grossed $962 million. The Next Level added $800+ million. The franchise proved one simple truth: when you turn movies into games, audiences don’t just watch once—they come back for every sequel.
ENDERS GAME (2013) — $125 Million Worldwide
Where tactical thinking and strategic planning became the superpower. The battle room showed us that the best stories are the ones where strategy matters—perfect for deck-building gameplay.
GRAN TURISMO (2023) — $122Million Worldwide
They said a gamer could never drive a real race car. Gran Turismo proved them wrong—both in the movie and in real life. Gaming skills translate to real-world success.
THE LAST STARFIGHTER (1984) — $29M – An Original Gaming Movie
Before there was Ready Player One, or Enders Game, there was The Last Starfighter. A movie that asked: what if the game was recruiting players for something real?
The verdict is in. Gaming isn’t coming to Hollywood…it already owns it. And the best part? Some of the most beloved games haven’t even been touched yet. Games that haven’t printed new cards since 2014. Games whose fans are now adults with kids of their own. Games waiting for exactly the right moment to return.
SPACE SAMURAI: OASIS — THE PERFECT INTERACTIVE CANVAS:
Set in 2063 on the luxury space resort Oasis, our Sci-Fi thriller provides the ideal backdrop for interactive entertainment integration:
Natural Story Integration:
- Multiple character perspectives during the crisis
- Real-time decision points affecting plot outcomes
- Audience choices determining character fates
- Interactive technology naturally woven into the space station setting
- Strategic gameplay elements where viewers build their “crew,” deploy resources, and use special abilities to influence outcomes
Future-Tech Showcase Opportunities:
- Advanced entertainment systems aboard Oasis
- Interactive interfaces that characters use naturally
- Cutting-edge technology demonstrations
- Seamless brand integration and product placement that enhances storytelling
- Card-game style mechanics where audiences collect characters, play strategic moves, and defeat opponents through tactical decisions
THE SPACE STATION PARABLE:
Imagine you’re building the most advanced space station in history. You have two choices for your entertainment Options:
Option A:
Install the same old screens that show the same old content the same old way. Safe. Predictable. Exactly what everyone else is doing.
Option B:
Install revolutionary technology that responds to each passenger, adapts to their choices, and creates unique experiences no one has ever had before. Technology that lets them build decks of options, summon allies, and cast abilities that change the story.
Which space station would passengers remember? Which would they talk about? Which would define the future of space travel?
Space Samurai: Oasis isn’t just a movie about a space station… it’s a demonstration of what happens when visionary technology meets premium entertainment.
THE CROSSROADS MOMENT:
We’re already deep in development. Our video game launches soon. Our comic book prequel is building the universe. We’ve been developing gaming elements where our heroine phases between dimensions—perfect for strategic gameplay.
We could build our own card game too. We have the console partner, the technology, the distribution.
Or we partner with an existing card game that already has the fanbase, the mechanics, the nostalgia. A game whose players are now adults with kids. A game needing the right catalyst to explode back into mainstream.
Once we commit to building everything ourselves, that partnership door closes. Once production begins, decisions are locked, opportunities lost.
Classic franchises are being revived through Hollywood: We’re seeing everything from decades-old games finding new life on the big screen. Even franchises that haven’t released new content in years—some dormant since 2014—are discovering that movies can breathe new life into their IP. The 40-somethings who grew up with these games now have kids of their own, creating a perfect multi-generational opportunity.
We know the landscape: From Magic: The Gathering’s billion-dollar success to Pokemon’s cultural dominance, from Yu-Gi-Oh!’s global reach to newer entrants trying to capture that lightning in a bottle. The winners aren’t just the ones with the best gameplay—they’re the ones who understood multimedia integration first.
The pattern is clear: Every major entertainment breakthrough, from talkies to color to streaming, was dismissed by skeptics right up until it became the standard. Interactive entertainment is following the same trajectory.
The opportunity window: Space Samurai offers a rare chance to be associated with this transformation from the ground floor, not as a late-adopting follower.
EXCLUSIVE INTERACTIVE ENTERTAINMENT CATEGORY AVAILABLE:
What This Partnership Offers:
- No competing interactive platforms in the Trilogy and in the Franchise
- Custom storyline integration showcasing platform capabilities
- Behind-the-scenes interactive content creation
- Co-marketing opportunities using Space Samurai branding
- TV Game Console and multiplayer gaming of Space Samurai
- Strategic card-game elements perfect for deck-building gameplay
- Global exposure through an established Universal Studios distribution relationship
PRODUCTION TIMELINE — DECISIONS NEEDED NOW:
Summer/Fall 2025 Production Start = Partnership finalization required immediately
All brand integrations must be locked before cameras roll. Once production begins, decisions are locked, opportunities lost.
Decisions happen at the speed of innovation, not the pace of bureaucracy.
Space Samurai isn’t just another movie—it’s the moment interactive entertainment stops being “the future” and becomes “right now.”
ICYMI – Space Samurai Universe Already Expanding:
- Video Game in Development – December 9, 2024 Blog Update
- Comic Book Prequel Launching – December 3, 2024 Blog Update
- Interactive Card Game Partner – DECISION PENDING
We’re building the universe with or without you. The question is: will you be part of it?
New SPACE SAMURAI fans can glimpse Oasis, here is our Pre-Vis Promo Teaser:
Space Samurai: Oasis Featurette
https://www.imdb.com/video/vi2749348121
IMDb – Space Samurai: Oasis
https://www.imdb.com/title/tt1312240
Instagram – Space Samurai.Oasis
https://www.instagram.com/SpaceSamurai.Oasis
Questions about exclusive interactive entertainment partnership opportunities?
The question isn’t whether you’re ready. The question is: will you be the one who made it happen, or the one who watched it happen?
Reach out to your designated Production Team contact, and I’ll make myself available too…